Zeiss Superspeeds MKII T1.4 (18,25,35,50,85mm)

Chrosziel 3tray Panavision size swing away Matte Box

Chrosziel Follow Focus kit

Ronford F4 Head

Ronford Tall/Short Legs

Hi Hat

Panasonic BTLH 1700 monitor HD /SDI

Zeiss Super speed T1.4 (15,25,35,50,85mm)

Chrosziel 3 tray swing away Matte Box

Chrosziel Follow Focus kit

Ronford f4 Head

Panasonic BLTH1700 17″ HD/SDI

Panasonic BLTH900 9 ” HD/SDI

Ronford Tall/Short Legs

Ronford High Hat

5 Filters of your choice

3 Lights of your choice ( arri 150,300,650,800,1000)

Mac laptop

Shooting Package:

Camera Body

Standard HD lens

Battery kit

Sachtler Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

416 Mic kit ( Inc boom pole )

7″ LCD HD monitor

HAD sensor technology
The HDW-F900R uses Hyper HAD sensor technology incorporating the latest FIT sensor and on-chip lens structure. Three 2/3-inch FIT CCDs each with 2.2 million-pixels provide excellent imaging quality acquiring pictures at 1920 x 1080 CIF (Common Interchange Format) resolution.

12 bit ADSP
12 bit A/D conversion and advanced digital signal processing ensures excellent tonal reproduction, for the most demanding applications.

Choice of Multiple frame rates
You can select from a number of frame rates to match the required look for each production. 50i and 59.94i can be selected to acquire interlaced “TV look” pictures, with 23.98P, 24P, 25P and 29.97P also available for “film look” (progressive) images. Please note that 30P and 60i modes are not supported.

TruEye Processing
TruEye virtually eliminates hue distortion, especially in extreme lighting conditions. TruEye processes videa data in a similar way to the human eye – processing brightness, hue and saturation. This significantly improves the reproduction of natural skin tones.

Multi Matrix
Multi Matrix provides further in-camera creative control and can be used to match colourimetry during multiple camcorder shoots. It is also effective for manipulating the hue and saturation of specific selected colours within a scene. One example would be to adjust the hue and saturation of a flower petal without changing other colours within the picture.

Auto Trace White
Auto Trace White (ATW) is a feature that automatically adjusts the white balance as lighting conditions change. This is ideal when shooting in rapidly changing lighting conditions (for example, when moving from an indoor to an outdoor location). Conventional Auto White Balance is also available.

Creative control with User Gamma
The CvpFileEditor can be used with the HDW-F900R for creation of custom gamma curves. Existing gamma curves, generated for use with the original HDW-F900 can also be applied.

Long record duration onto HDCAM cassettes
The HDW-F900R records up to 50 minutes onto a small HDCAM tape when shooting in 24P mode. Maximum record durations at 50i and 59.94i are 48 minutes and 40 minutes.

Dual optical filter wheel
The HDW-F900R is equipped with dual optical filter wheels. You can choose from the following Neutral Density (ND) settings: CLEAR, 1/4ND, 1/16ND and 1/64ND, and the following Colour Correction (CC) settings A:5600K, B:3200K, C:4300K and D:6300K.

Optional HD to SD down conversion
The HKDW-702 HD to SD downconverter option used with the HDW-730S and HDW-750P HDCAM camcorders can be used with the HDW-F900R. SDI or analogue VBS can be output from the camcorder when this option is fitted. Alternatively, the new HKDW-902R board can be installed. In addition to downconvertion, 2-3 pulldown is supported which allows NTSC monitoring at 59.94i when the camcorder is running at 23.98PsF.

Slow Shutter and Image Inversion
The new HKDW-905R option can be installed into the HDW-F900R to add slow shutter capability (up to 64 frames) and image inversion. The slow shutter feature can be used to either boost sensitivity or to enable motion blur to be used as a creative tool. Image inversion allows the camcorder to be used with a wider range of anamorphic and film.

Picture Cache Recording
It’s always annoying to miss a great shot, especially when shooting wildlife footage. Picture cache recording provides an additional chance to capture the action even if it occurred before the REC button was pressed. An optional HKDW-703 can be installed into the camcorder to provide this feature. This allows you to capture up to 8 seconds of material immediately before you press the record button.

Time Lapse
The HKDW-703 also provides Time Lapse (Interval) Recording. In MANUAL mode, 1 to 8 frames are recorded each time the REC button is pressed. In AUTO mode, the overall recording time is set (e.g. 10 minutes) along with the playback time on tape (e.g. 10 seconds). Using the picture cache to achieve Time Lapse reduces the mechanical wear to the record mechanism.

More choices for signal output
The HDW-F900R is equipped with two HD-SDI outputs as standard, allowing high definition pictures to be monitored directly on-site without the need for an additional adapter. One of these outputs can be switched to standard definition when the camcorder is fitted with an optional HKDW-702 or HKDW-902R board.

Same optical axis as the original HDW-F900
The HDW-F900R uses the same optical axis as the original HDW-F900. The lens accessories developed for the HDW-F900 can be used without modification.

Great audio performance
Four channels of digital audio can be input to the HDW-F900R via two XLR inputs. Each XLR receives 2 channels of AES/EBU audio data at 20 bits resolution.

Slot-in wireless receiver
You can slot a Sony wireless receiver directly into the chassis of the HDW-750P. This adds wireless receiver functionality without compromising the compact ergonomic design of the camcorder. A Sony WRR-855A/B can be used.

Rugged and ergonomic design
The design of the HDW-F900R is based on years of Sony experience in camera design and provides a high level of mobility and balance to minimise fatigue in all shooting conditions. Combined with the viewfinder, battery, cassette and microphone, the total weight is only 5.4 Kg.

Supplied with;

1 SONY HDW-F900R CAMERA
1 LENS MOUNT CAP
1 VIEWFINDER HDVF-20A
1 VIEWFINDER EYE CUP
1 VIEWFINDER EYE CUP ASSEMBLY
1 VIEWFINDER CLEAR GLASS FILTER
1 MICROPHONE WITH WIND GAG
1 CHROSZIEL16MM BAR PLATE FOR CAMERA
1 SONY SHOULDER BELT
1 OPERATING MANUAL
1 SONY RAIN COVER
1 SONY BASE PLATE
1 FOCUS CHART
1 PAG BACK ADAPTOR
1 SONY SEPT DOWN CONVERTER BOARD FITTED
1 PETROL CAMERA BAG SHOULDER BELT

Camera body

Standard HD lens

Battery kit

Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

416 mic kit ( inc boom pole )

7″ LCD HD monitor

Since first appearing on the market, the HDW-750P HDCAM camcorder has become associated with the very best in quality programming, helping establish HDCAM as the preferred High Definition format worldwide. Many of the best programmes on-air in Europe today continue to be shot using the HDW-750P.

For 2007, Sony has introduced the HDW-790P, the successor model to the HDW-750P. This new camcorder records pictures in either 1080/50i interlace or 1080/25P progressive modes, and joins the HDW-730S and HDW-F900R in the HDCAM line-up.

The HDW-790P features an extremely compact and lightweight design, with a robust and reliable construction. The use of three 2.2 million-pixel FIT CCDs, and 12-bit Advanced Digital Signal Processing (ADSP) ensures superb picture quality.

In addition to 12bit ADSP, the HDW-790P also shares a number of other features with the top-of-the-range HDW-F900R. These include 2 HD-SDI outputs, inputs for recording 4 channels of 20-bit AES/EBU digital audio and 4 HyperGamma settings, which allow the cinematographer to precisely optimise the desired ‘look’ of the acquired image. A choice of either colour or monochrome viewfinder completes the feature set.

HAD sensor technology
The HDW-790P uses Power HAD sensor technology incorporating the latest FIT sensor and on-chip lens structure. Three 2/3-inch FIT CCDs each with 2.2 million-pixels provide excellent imaging quality acquiring pictures at 1920 x 1080 CIF (Common Interchange Format) resolution.

12 bit ADSP
12 bit A/D conversion and advanced digital signal processing ensures excellent tonal reproduction, for the most demanding applications.

Choice of frame rates
You can shoot pictures in either interlaced or progressive mode. 50i can be selected to acquire interlaced ‘TV look’ pictures, and 25P can be selected where a ‘film look’ is required.

TruEye Processing
TruEye virtually eliminates hue distortion, especially in extreme lighting conditions. TruEye processes video data in a similar way to the human eye – processing brightness, hue and saturation. This significantly improves the reproduction of natural skin tones.

Multi Matrix
Multi Matrix provides further in-camera creative control and can be used to match colourimetry during multiple camcorder shoots. It is also effective for manipulating the hue and saturation of specific selected colours within a scene. One example would be to adjust the hue and saturation of a flower petal without changing other colours within the picture.

Auto Trace White
Auto Trace White (ATW) is a feature that automatically adjusts the white balance as lighting conditions change. This is ideal when shooting in rapidly changing lighting conditions (for example, when moving from an indoor to an outdoor location). Conventional Auto White Balance is also available.

Long record duration onto HDCAM cassettes
The HDW-790P records up to 48 minutes onto a small HDCAM cassette.

Dual optical filter wheel
The HDW-790P is equipped with dual optical filter wheels. You can choose from the following Neutral Density (ND) settings: CLEAR, 1/4ND, 1/16ND and 1/64ND, and the following Colour Correction (CC) settings A:Cross, B:3200K, C:4300K and D:6300K.

Optional HD to SD down conversion
The HKDW-702 HD to SD downconverter option can be used with the HDW-790P. SDI or analogue VBS can be output from the camcorder when this option is fitted.

Slow Shutter and Image Inversion
The new HKDW-905R option can be installed into the HDW-790P to add slow shutter capability (up to 64 frames) and image inversion. The slow shutter feature can be used to either boost sensitivity or to enable motion blur to be used as a creative tool. Image inversion allows the camcorder to be used with a wider range of anamorphic and film lenses.

Picture Cache Recording
It’s always annoying to miss a great shot, especially when shooting wildlife footage. Picture cache recording provides an additional chance to capture the action even if it occurred before the REC button was pressed. An optional HKDW-703 can be installed into the camcorder to provide this feature. This allows you to capture up to 8 seconds of material immediately before you press the record button.

Time Lapse
The HKDW-703 also provides Time Lapse (Interval) Recording. In MANUAL mode, 1 to 8 frames are recorded each time the REC button is pressed. In AUTO mode, the overall recording time is set (e.g. 10 minutes) along with the playback time on tape (e.g. 10 seconds). Using the picture cache to achieve Time Lapse reduces the mechanical wear to the record mechanism.

More choices for signal output
The HDW-790P is equipped with two HD-SDI outputs as standard, allowing high definition pictures to be monitored directly on-site without the need for an additional adapter. One of these outputs can be switched to standard definition when the camcorder is fitted with an optional HKDW-702 or HKDW-902R board.

Great audio performance
Four channels of digital audio can be input to the HDW-790P via two XLR inputs. Each XLR receives 2 channels of AES/EBU audio data at 20 bit resolution.

Slot-in wireless receiver
You can slot a Sony wireless receiver directly into the chassis of the HDW-790P. This adds wireless receiver functionality without compromising the compact ergonomic design of the camcorder. A Sony WRR-855B can be used.

Rugged and ergonomic design
The design of the HDW-790P is based on years of Sony experience in camera design and provides a high level of mobility and balance to minimise fatigue in all shooting conditions. Combined with the viewfinder, battery, cassette and microphone, the total weight is only 5.4 Kg

Body supplied with;

1 SONY HDW790 CAMERA BODY
1 SDI DOWN CONVERT BOARD
1 BENT EYE CUP ASS
1 LEATHER EYE CUP
1 SONY VIEWFINDER HDVF-20A
1 FRONT LENS BLANKING CAP
1 CROSZIEL 15MM BAR PLATE
1 CAMERA MICROPHONE WITH WINDGAG
1 SONY CAMERA BASE PLATE
1 PETROL RAIN COVER
1 SONY SHOULDER BELT
1 SONY OPERATING MANUAL
1 V LOCK TO PAG ADAPTOR
1 FOCUS CHART
1 PETROL CAMERA BAG WITH SHOULDER STRAP

Shooting Package:

Camera Body

Standard HD lens

Battery Kit

Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

416 Mic kit ( Inc boom pole )

7″ LCD HD monitor

The Sony XDCAM system has revolutionised video production. The combination of file-based operation, optical recording and Sony’s industry-leading camcorder technology has opened up new ways of working to broadcast and production facilities around the world . Now, Sony has expanded the XDCAM line-up at the top end with the PDW-700 XDCAM HD422 camcorder.

The PDW-700 captures stunning HD images. It features three newly developed 2/3-inch progressive Power HAD FX CCDs at 1920 x 1080 resolution. 14-bit A/D conversion and advanced digital signal processing are also used to ensure the highest picture quality.

The PDW-700 records at a data rate of up to 50Mb/s using an MPEG-2 4:2:2P@HL compression technology called MPEG HD422.

The camcorder features multi-format recording at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P*, 720/50P* and 720/59.94P*. It also supports record and playback of XDCAM HD* (4:2:0) at 35Mb/s, 25Mb/s and 18Mb/s**, and XDCAM standard definition MPEG IMX and DVCAM material***.

With fast file-based operation and outstanding picture quality, the XDCAM HD422 line-up has widened the appeal of XDCAM for applications such TV drama, documentaries and general entertainment programs, and for ENG where speed of operation is a critical requirement.

* 1080/29.97P, 720/50P, 720/59.94P and XDCAM HD (4:2:0)

Camera Body

Standard HD Lens

Battery Kit

Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

416 Mic kit ( Inc boom pole )

7″ LCD HD monitor

Designed to capture feature films, television episodics and commercials, the AJ-HPX3700 is Panasonic’s new workhorse camera producing uncompromising cinematic image quality with the exceptional reliability and faster workflow of solid-state P2 HD.

Recognized worldwide as the industry’s premier digital cinematography camera, Panasonic’s VariCam® HD Cinema Camera has established itself as an indispensable acquisition tool delivering the distinct, prized look of film. As the Flagship model of the new P2 HD VariCam series, the VariCam 3700 ushers in a new solid-state era that features a master-quality codec, maximum image performance, and film-style operability.

High-End HD Camera-Recorder for Cinema
High-End HD Camera-Recorder for Cinema Production
RGB 4:4:4 and 24PsF Output

AVC-Intra 100/50 and DVCPRO HD

2.2-megapixel 2/3” CCD for full 1920 x 1080 HD images.

Recording format: AVC-Intra 100/50 and DVCPRO HD. AVC-Intra 100 uses the 10 bit 4:2:2 sampling. 59.94 Hz and 50 Hz selectable.

HD-SDI output of 23.98PsF/24PsF video signals.

Three HD-SDI outputs (Dual Link + monitor) allow EE output of RGB 4:4:4 high-quality images.

Variable frame rate function ranging from 1 fps to 30 fps.

F-REC gamma (selectable) and scan-reverse function.

Chromatic Aberration Compensation (CAC).

Five P2 card slots allow continuous recording, card selection, hot swapping, loop rec, pre-rec, interval rec and one-shot recording. Genlock input for HD-Y or VBS input use.

Shooting Package:

Camera Body

Standard HD lens

Battery Kit

Tripod

3 Point Lighting Kit

3 Lights of your choice ( arri 150,300,650,800,1000)

7″ LCD HD Monitor

The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre, including production-quality 2/3″ progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.

At only 8.2 pounds, the HPX500 features a high-performance digital signal processor (DSP) with 14-bit A/D conversion and 19-bit processing that handles HD/SD format conversion simultaneously — ensuring spectacular images in all video formats for applications ranging from news acquisition, independent filmmaking, corporate video, sports and much more. To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic’s new 16GB P2 card and HPX500’s four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.

Shooting Package:

Camera Body

Standard HD Lens

Battery Kit

Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

416 Mic kit ( Inc boom pole )

7″ LCD HD monitor

Optical Sensor / Optical Sensor Type 3CCD, 3 HD CCD
Recording Format DVCPRO HD, DVCPRO
Manufacturer Panasonic
Optical Sensor / Optical Sensor Size 2/3

Panasonic’s AJ-HDC27 VariCam replicates many of the key features of film-based image acquisition, including 24-frame progressive scan images, time lapse recording, and a wide range of variable frame rates (4-fps to 60-fps in single-frame increments) for “overcranked” and “undercranked” off-speed in-camera effects. The AJ-HDC27 VariCam also features CineGamma software that permits Panasonic’s HD Cinema camera systems to more closely match the latitude of film stocks.

Shooting Kit:

Camera Body

Standard Lens

Battery Kit

Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

416 Mic kit ( Inc Boom Pole )

7″ Monitor

16:9 / 4:3 Switchable FIT CCD
FIT CCD has a smear level of -140 dB, which means virtually immeasurable in a practical camera

12 bit Advanced Digital Signal Processing (ADSP)
Allows enhanced dynamic range, better tonal reproduction and the addition of many other software features

TruEye processing
The TruEye processing feature manages video signal data according to three factors- brightness, hue and saturation- so that with a wide dynamic range signal, colour can be reproduced as faithfully as by the human eye , by eliminating the hue factor distortion.

Optional SDI output board.
Allows the rear video out socket to be either analogue composite or SDI, selectable by a menu.

Optional Picture Cache memory board.
Now you need never miss a picture again, this board stores up to 8 seconds of audio and video in solid state memory. Thus an event up to 8 seconds previous to the time when you pressed the rec start button is available. It is selectable to be 1, 2, 4 or 8 seconds, for example a store of 4 seconds gives effectively an instant start from standby off position.

Internal 50 watt stabilised light system.
This stabilised internal light system can be powered from the camcorder’s lithium-ion battery. The light can be switched on/off either manually or automatically, where the light goes on when you start recording and off when you stop recording.

Turbo gain up to 48 dB.
Allows working down to 0.2 lux, better than the colour capability of the human eye.

Auto trace white system.
The ATW function makes it possible to automatically adjust the white balance as lighting conditions change. This function is useful when shooting in rapidly changing lighting conditions (for example, when moving from an indoor to an outdoor location). Conventional Auto white balance is also available both instead of and in addition to ATW operation. White B preset position is assigned for ATW operation by selecting either ATW or AWB B in the VF menu.

Dial in colour temperature.
You can now programme the camera to a certain colour temperature, and then light to that, rather than using preset positions or auto white balance with gels to offset the balance. Also added is an offset function to slightly warm or cool a picture irrespective of the auto white setting, since the offset is removed before auto white and then added back in again when auto white is completed.

Built in film gamma curve
The F gamma represents the average transfer characteristic of various film stocks, and has a shallow slope in the dark areas leading to slight lifting of the very dark areas, and flattens off the highlights, to give a higher dynamic range. Programmable S gamma is also available.

Multi matrix feature.
This allows any colour to be grabbed, and its hue and saturation to be altered within a range of around 20 degrees, and the saturation almost to nil. In this way many “in camera” effects can be made.

Cameraman programmable menu system.
This allows every cameraman to make his own menu structure, by copying any single menu item from any other page and pasting it into your own page, which can then be stored on a setup card.

Supplied accessories as below, plus:

Manfrotto Tripod

3 Lights of your choice ( arri 150,300,650,800,1000)

7″ LCD HD Monitor

The Canon XF350 Professional Camcorder features 50Mbps MPEG-2 4:2:2 recording to universally available Compact Flash (CF) Cards for unsurpassed image quality and efficient, robust workflow at an affordable price. It is ideally suited to match the requirements of electronic newsgathering (ENG) crews, independent filmmakers, documentary producers, event videographers and military agencies. Utilizing file-based MPEG-2 compression with an MXF File Wrapper ensures the widest compatibility with existing industry infrastructure, metadata and non-linear editing (NLE) systems. And 4:2:2 color sampling provides ultra-fine transitions in tone and color for maintaining the highest quality image for use in advanced post production. A newly developed Genuine Canon 18x HD L-Series Lens along with three Canon native 1920 x 1080 CMOS Image Sensors delivers pristine image quality. Incorporating industry-standard HD-SDI output, genlock input and SMPTE time code input/output terminals makes the Canon XF305 perfectly matched for live application and multi-camera shooting.

Features:

•MPEG-2 4:2:2 50Mbps Codec (Canon XF Codec).

•Record to easily accessible and affordable Compact Flash Cards.

•Genuine Canon 18x HD L-Series Lens.

•Three Canon Native 1920 x 1080 CMOS Image Sensors.

•Industry Standard HD-SDI Output, Genlock & SMPTE Time Code and Other Terminals

•Multiple Recording Bit Rates, Resolutions, and Variable Frame Rates.

•Canon DIGIC DV III Image Processor.

•Brilliant Ergonomics

•Large, 4.0-inch, 1.23-megapixel LCD Monitor and High Resolution, 1.55-megapixel EVF

Supplied with

1 Canon XF350

1 Canon MAINS ADAPTOR 1 Canon DC POWER ADAPTOR

5 Sony MINI DV TAPES ( on sale or return)

3 Canon Camera BATTERIES

1 FIGURE 8 MAINS LEAD

1 SENNHEISSER K6-ME66 GUN MIC

1 K6 RUBBER HOLDER

1 GUN MIC MOUNT AND HOT SHOE ADAPTOR

1 GUN MIC WIND GAG ( FLUFFY)

1 PERSONAL MIC,WINDGAG AND TIE CLIP

2 LR44 BATTERIES

1 INEAR HEADPHONES

1 BEYER DT231 HEADPHONES

1 REMOTE CONTROL

1 OPERATING MANUAL

1 SCART ADAPTOR

1 A/V CONNECTING CABLE + BNC TO PHONO

1 COMPONENT VIDEO CABLE

2 5 MTR XLR LEADS

1 17″ XLR CABLE

1 3PIN XLR TO 3.5 MINI JACK CABLE

3 MN1500 BATTERIES